A Writer's Notebook, Day Four-Hundred-And-Seventy
One of the more difficult aspects of writing, I find, is keeping optimistic through rejection. My approach is largely to work at feeling fulfilled by doing the work, but it does not work entirely. For one thing, there is a level at which work does not feel completed without an audience. My intent is always to write for a reader, and the work is only half about what I have put on the page. I consider the reader as a partner, the work as inert until it is read. The building up of work that is unpublished, then, can be a bit frustrating.
As well, in the context of repeated rejection, that large amount of work can seem mocking. All of this, I think at dark times, and what have I to show for it? I have a great many rejections, and very few acceptances at the moment. I hope that will change, but it is easy to feel dejected.
The only thing I can really control, in the end, though, is if I keep writing and sending out work. I believe in my work, and I also believe that writing more is the best way to improve as a writer. I don't have the ability to control the reception my work receives, but I can keep at it, can even see that, at times as it's own triumph.
As well, in the context of repeated rejection, that large amount of work can seem mocking. All of this, I think at dark times, and what have I to show for it? I have a great many rejections, and very few acceptances at the moment. I hope that will change, but it is easy to feel dejected.
The only thing I can really control, in the end, though, is if I keep writing and sending out work. I believe in my work, and I also believe that writing more is the best way to improve as a writer. I don't have the ability to control the reception my work receives, but I can keep at it, can even see that, at times as it's own triumph.
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