A Writer's Notebook, Day Three-Hundred-And-Eighty-Six

At last, it feels that their is light at the end of the tunnel. The past two weeks have been insane, and now, at last, things are turning around.  I am rather exhausted, as today was another grueling day, though hopefully the last for a bit, so I will probably keep this short, and I feel silly saying, yet again, that I am glad to have been able to maintain my schedule through this whole period, though that is how I feel.  I do think that my work this week has, in some ways, suffered, as I haven't been as focused as I might be, but I also wonder if I might not have made some really solid discoveries, and I also think I will recall this week the next time I am having difficulty writing, not only as a reminder that I can make it happen in  even the least conducive circumstance, but also as a way of considering what might shift my focus from writing, so that the pressure is off.  Indeed, that is the one advantage of being so crazed, my work became so secondary I didn't dare have any kind of writing block or issue.

Comments

Post a Comment

Popular posts from this blog

A Writer's Notebook, Day Two-Hundred-And-Fifty

Each of the three pieces I wrote today was a bit of a struggle to get going, if I am honest.  That happens, as I have mentioned, and my answer is generally to just wait it out, and the results vary.  A lot of the time, if I am really stuck, I might try to force something out, often it winds up being a bit meta, with me writing about being stuck without much in terms of inspiration, and it feels a bit like I am working scales in a way.  All the aesthetic decisions are there, they just don't always have a lot of purpose behind them, and that is fine in that context.  Essentially, I am just forcing myself to do the work, and getting it done, and I am showing myself that I can and will do it even if inspiration never strikes.  This can often take pressure off, and that lack of pressure opens up creative thinking and inspiration. Now, that is a fine thing for me to do, and I am likely to use that approach again many times in the future, but today I felt that I wanted to make myself do
Read more

A Writer's Notebook, Two-Thousand-And-Fifty-Nine

I have been thinking about how I can discuss certain aspects of my poetry and the choices I make as a writer.  In particular, I tend to write without as much reliance on sensory details and descriptions, instead choosing more abstract depictions.  This is something that I know many writers would call an odd choice, as specificity seems inherently to demand the application of detail, but I tend to be a bit hesitant about relying on depictions that utilize the senses, as I find that approach somewhat problematic.  For one thing, sensory description is always going to be less than universal, and not only because of the reality that there are individuals who lack one or more sense.  In many ways, for me, the deeper problem is one related to language itself.  Our use of language creates our experiences in a very real way, though I can't necessarily offer a full explanation of what I mean by that right here, but using a word for an object bestows qualities on it.  If I call something a s
Read more

Poem: Already Over

Already Over Moments pass away faster than we can even notice them: it takes time for the light that hits the eye to be understood as an image, let alone for the body to respond. It may only be fractions of a second, but what we think is now has already ended. Yet, somehow we can act upon this world as if we are present in the present, and not trapped just a few moments in the past.
Read more