A Writer's Notebook, Day Three-Hundred-And-Fifty-Three

One aspect of increasing my writing output that I don't think I touched on yesterday, but which I am noticing, is the boost it gives me in terms of my own sense of accomplishment.  As stated before, I know it is a minor change, really, but I do feel enthused each day as I accomplish the task of composing five new poems.  I find it surprising, honestly, that I still feel that way at this point.  I mean, I have been increasing output regularly this year, and adding another poem becomes less and less significant, as I do so.  Yet, somehow, the feeling of accomplishment at the shift when I have done so is always somehow there and invigorating.

I do think that I will need to discover other ways of making those shifts, if I am realistic.  I mean, I am currently writing five poems each day, and I can see myself increasing that, but at some point, it is bound to be unreasonable, if only in terms of a time commitment.  I am still living my life, and I don't need to write all day long, I don't even think that would be beneficial.  But, it is incredibly helpful, when I am in a rut, to be able to push myself and get this boost.

Of course, if I am realistic I know that their are other ways to push myself than just writing more, it is only a question of finding things that bring out that same response.  I don't know, if I am honest, what those are yet, but I am sure I will figure it out. In the meantime, I am very glad to be where I am, and I feel very strongly that increasing my output this week was the right decision/ 

Comments

Post a Comment

Popular posts from this blog

A Writer's Notebook, Day Two-Hundred-And-Fifty

Each of the three pieces I wrote today was a bit of a struggle to get going, if I am honest.  That happens, as I have mentioned, and my answer is generally to just wait it out, and the results vary.  A lot of the time, if I am really stuck, I might try to force something out, often it winds up being a bit meta, with me writing about being stuck without much in terms of inspiration, and it feels a bit like I am working scales in a way.  All the aesthetic decisions are there, they just don't always have a lot of purpose behind them, and that is fine in that context.  Essentially, I am just forcing myself to do the work, and getting it done, and I am showing myself that I can and will do it even if inspiration never strikes.  This can often take pressure off, and that lack of pressure opens up creative thinking and inspiration. Now, that is a fine thing for me to do, and I am likely to use that approach again many times in the future, but today I felt that I wanted to make myself do
Read more

A Writer's Notebook, Two-Thousand-And-Fifty-Nine

I have been thinking about how I can discuss certain aspects of my poetry and the choices I make as a writer.  In particular, I tend to write without as much reliance on sensory details and descriptions, instead choosing more abstract depictions.  This is something that I know many writers would call an odd choice, as specificity seems inherently to demand the application of detail, but I tend to be a bit hesitant about relying on depictions that utilize the senses, as I find that approach somewhat problematic.  For one thing, sensory description is always going to be less than universal, and not only because of the reality that there are individuals who lack one or more sense.  In many ways, for me, the deeper problem is one related to language itself.  Our use of language creates our experiences in a very real way, though I can't necessarily offer a full explanation of what I mean by that right here, but using a word for an object bestows qualities on it.  If I call something a s
Read more

Poem: Already Over

Already Over Moments pass away faster than we can even notice them: it takes time for the light that hits the eye to be understood as an image, let alone for the body to respond. It may only be fractions of a second, but what we think is now has already ended. Yet, somehow we can act upon this world as if we are present in the present, and not trapped just a few moments in the past.
Read more